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Emotion perception in music: Are we all equally tuned in?
Conference paper   Open access

Emotion perception in music: Are we all equally tuned in?

H. Davis and J.E. Teo
Australian Society for Music Education
XV Australian Society for Music Education's (ASME) National Conference (2005) (Melbourne, Victoria, Australia, 03/07/2005–07/07/2005)
2005
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Abstract

This study investigates the relationship between individuals’ sensitivity to emotional cues in music, technical musical aptitude and general cognitive ability. Thirty-nine university undergraduates completed two emotional discrimination tasks (one involving live performers and the other computer-generated music), musical aptitude measures of pitch, rhythm and tune discrimination, and a test of fluid intelligence. Results indicated a high mean level of accuracy in emotion perception, but also some individual differences. Emotion perception was somewhat related to musical discrimination measures, and rhythm discrimination was related to intelligence, but emotion perception showed no association with intelligence. These findings are consistent with basic emotion perception in music being a ‘modular’ ability – one at which humans universally excel, regardless of their other strengths and weaknesses. However, the findings also suggest that high levels of refinement in emotion perception may be underpinned by ability to discriminate between musical sounds.

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