Abstract
Xerox in its present copy has grown out of a play of the same name by Norrie. The themes of the initial play were identified and workshopped. What developed was a central theme of prejudice and persecution, that best theatricalised itself by weaving of the three literary and dramatic genres; Naturalism, Expressionism and Absurdism. The conceptualisation, scripting and directing have all grown out of the workshop process and "Xerox" owes its present form to ensemble work.