Journal article
On Stockhausen’s Solo(s): Beyond Interpretation
Leonardo Music Journal, Vol.28, pp.13-18
2018
Abstract
Using Karlheinz Stockhausen’s Solo für Melodieinstrument und Rückkopplung (1965–1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) used to inject new life into, and ask new questions of, the works that are being preserved.
Details
- Title
- On Stockhausen’s Solo(s): Beyond Interpretation
- Authors/Creators
- J.P. Cancino (Author/Creator) - Orpheus InstituteJ. Mulder (Author/Creator) - Murdoch University
- Publication Details
- Leonardo Music Journal, Vol.28, pp.13-18
- Publisher
- Massachusetts Institute of Technology Press
- Identifiers
- 991005544137807891
- Copyright
- © 2018 The MIT Press
- Murdoch Affiliation
- School of Arts
- Language
- English
- Resource Type
- Journal article
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