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Autonomous Youth? Independence and Precariousness in the Indonesian Underground Music Scene
Journal article   Peer reviewed

Autonomous Youth? Independence and Precariousness in the Indonesian Underground Music Scene

The Asia Pacific Journal of Anthropology, Vol.13(4), pp.382-397
2012
url
https://www.tandfonline.com/doi/full/10.1080/14442213.2011.636062View

Abstract

Indonesia Youth Subculture Underground Music Precarity Autonomy Cultural Production Social and cultural anthropology Urban sociology and community studies Asian cultural studies
Indonesia boasts a thriving underground music scene that has become an important element in the identity practices of many urban youth. For dedicated ‘scenesters’, the underground is more than a personal expression of style; it is a way of life, and often a way to make a living. I draw on the concept of ‘precarity’ to examine the underground value of independence (kemandirian) in the context of the precarious position of urban youth in neoliberal Indonesia. The identities and practices of the underground scene are both a reaction against and a reflection of this experience. Scenesters draw on their underground identities, and the autonomous community networks they have established, in order to assert their independence from the demands of capital. However, they also mobilise this independence as the basis for their own entrepreneurial activities, resulting in a nascent tendency towards capital accumulation and class polarisation within the scene.

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Citation topics
10 Arts & Humanities
10.240 Music
10.240.1566 Music and Identity
Web Of Science research areas
Anthropology
ESI research areas
Social Sciences, general
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