Alys Daroy

Agriculture is routinely perceived as bucolic, benign or beneficial, while behaviours of wild species are often understood as reflecting natural patterns. Anthropogenic underpinnings of food systems and animal behaviours can be invisible in standard cinematography without multi-modal cues to increase perception and prompt deeper understandings of less apparent forces. In Grained responds to the need for creative, practice-led research inquiry to prompt deeper interpretation. An interdisciplinary collaboration spanning landscape studies, sound design, filmmaking and performance reveals how industrial food systems reconfigure place, species relations and crucially, our perceptions of such entanglements. Focused on the Ord River Irrigation Scheme on Miriwoong and Gajirrabeng Country, this original audiovisual work stages deceptively bucolic drone footage of sorghum harvesting contrasted by suggestive glitching visual intrusions and a two layer sound design with scripted performance. Visual and sonic material suggests layered socioecological infrastructures—remaking catchment scale ecologies for freshwater capture and redistribution, visible and hidden architectures of industrial agribusiness, empire and racism, labour and capital flows, and multispecies codependence on agri-systems. In Grained combines original and archival cinematography, place-attuned sound design, scripting and acted audio performances and gallery staging with dedicated props to invite sustained, embodied attention and slow contemplation. It was exhibited at Form Gallery in Claremont, Perth, 30 Oct–25 Nov 2025 in an exhibition titled ‘Transversal’, curated by Moving Image Lab Perth (MILP). Eleven artists works’ spanned video art, expanded cinema, and experimental documentary, and were refined during a laboratory residency.

Anthropoiesis is a soundscape installation created for the 2023 Venice Biennale containing poetic spoken word, music, location sound recordings, and sonifications inviting us to reconfigure our relations with time, space and existence in the Anthropocene age. It asks: what does it mean to live enfolded by deep time when humans have become a new geologic agent? Given that poiesis is to make, transform, or bring forth, how can we reimagine our geologic future? Where is beauty to be found amidst the terror of biodiversity loss and climate change and how can we create a sublime poetics of kin-making? This assemblage of ‘sound debris’ combines organic and human-constructed landscapes recorded on sites across Western and Central Australia and beyond. These reflect the many scales and layers of more-than-human existence, from the granular to expansive. Sounds are layered with new writing and text adapted from David Farrier’s Anthropocene Poetics (2019).